Turn On The Bright Lights

''Turn On the Bright Lights'' is the debut studio album by American rock band Interpol. It was released in the United Kingdom on August 19, 2002, and in the United States the following day, through independent record label Matador Records. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co- produced, mixed and engineered by Peter Katis and Gareth Jones. Its title is taken from a repeated line in the song "NYC".

Upon release, the record peaked at number 101 on the UK Albums Chart. It reached number 158 on the ''Billboard'' 200 in the United States, as well as spending 73 weeks on the ''Billboard'' Independent Albums chart, peaking at number five. The songs "PDA", "Obstacle 1" and the double a-side single " Say Hello to the Angels" / "NYC" were released as singles, with music videos being shot for all except "Say Hello to the Angels".

Music

In a brief interview about the fifteenth anniversary of ''Turn On the Bright Lights'', guitarist Daniel Kessler stated the album's opening track, "Untitled" was written specifically to open the band's live shows. This leads into why the song is named "Untitled" because the band see the song as the intro song. Lead singer Paul Banks described the riff from the song as "signature Daniel".

Promotion and release

The release of ''Turn On the Bright Lights'' was preceded by the marketing of the band's self-titled EP ''Interpol'' in June 2002, their first release for Matador. The EP contained three tracks: radio single "PDA", future single "NYC", and "Specialist". All three tracks later appeared on the album, with "Specialist" included as a bonus track in Australian and Japanese editions. Further promotion continued at the beginning of the following year, when the band played the 2003 ''NME'' Awards Tour alongside the Datsuns, the Polyphonic Spree and the Thrills. The song "PDA" is featured as a playable track in 2008 video game '' Rock Band 2''.

10th Anniversary Edition

In 2012 a remastered version of the album was released in to commemorate its tenth anniversary. It featured additional material including demo recordings of several tracks, the bonus songs previously available on international releases and a DVD of live performances and music videos. Many of the demo recording tracks had been previously released however the 10th Anniversary Edition also contains five unreleased demo tracks from what is dubbed "Third Demo".

Critical reception

''Turn On the Bright Lights'' was released to critical acclaim. The album holds a score of 81 out of 100 from the aggregate site Metacritic based on 21 reviews, indicating "universal acclaim". Contemporary reviews of the album often noted Interpol's influences and drew comparisons to several other acts. Michael Chamy of ''The Austin Chronicle'' cited "melodic Peter Hook-like basslines; the divine shoegazer textures of My Bloody Valentine and Ride; a peppy, Strokes-like bounce; and a singer who's a dead ringer for Ian Curtis." "It's almost as if Ian Curtis never hanged himself," began ''Blender''s review, with critic Jonah Weiner adding that Paul Banks' vocals channeled Curtis' "gloomy moan." ''NME''s Victoria Segal called Joy Division comparisons "obvious and unmistakable, airbourne in the ashen atmospherics," while praising Interpol's take on the "grey-skinned British past". ''Billboard'' wrote that Interpol had created an "homage to their particular vision of the '80s that stands proudly alongside the best of its idols." Scott Seward, writing in ''The Village Voice'', remarked: "If I like them because they remind me of eating bad bathtub mescaline in the woods and listening to Cure singles, well, that'll do. You might like them for completely different reasons."

Noel Murray of ''The A.V. Club'' opined that Interpol's virtue "lies in the way its music unfurls from pinched openings to wide-open codas", while Rob Sheffield of ''Rolling Stone'' wrote that their "sleek, melancholy sound is a thing of glacial beauty". Eric Carr of ''Pitchfork'' argued that the band had forged their own distinct sound, "a grander, more theatrical atmosphere with lush production that counters their frustrated bombast", praising ''Turn On the Bright Lights'' as "one of the most strikingly passionate records I've heard this year." However, ''The Village Voice''s Robert Christgau, naming it "Dud of the Month" in his ''Consumer Guide'' column, felt that Interpol "exemplify and counsel disengagement, self-seeking, a luxurious cynicism," downplaying Joy Division comparisons as "too kind". '' Q''s lukewarm assessment of the album described it as "predictably claustrophobic listening".

At the end of the year, ''Turn On the Bright Lights'' featured on several publications' lists of the best albums of 2002, including those of ''Pitchfork'', who named it the year's best album, ''NME'', who ranked it at number ten, and ''Stylus Magazine'', who ranked it at number five. The album placed at number 15 on ''The Village Voice''s year-end Pazz & Jop critics' poll.

Legacy

Hailed as a seminal album of the 2000s, ''Turn On the Bright Lights'' has been cited as an influence on many indie rock bands, including the Killers, Editors, the xx, the Organ, She Wants Revenge, and others to the extent that many of these bands have been disparagingly referred to as "Interpol clones". Closely associated with 9/11-era New York City, the album has been seen as helping define 2000s indie rock, and Interpol have been cited as helping usher in the New York-born post-punk revival scene, along with contemporaries such as the Strokes, Yeah Yeah Yeahs, and TV on the Radio. Summing up the album's impact in a review of its 2012 re-issue, Matt LeMay of ''Pitchfork'' wrote: "Suggesting that this album is simply a product of its time and place is no less naive than suggesting that anyone who has ever been in love could easily write, arrange and record an amazing love song. There were a lot of good bands in New York in 2002, but only one band made this record." In 2017, the band embarked on a worldwide tour to celebrate its 15th anniversary.

In a 2018 interview with Vice, Paul Banks stated: "as far as ease of making it, we had years to write these songs. The longest writing period of any of your records is your debut. We formed in 1997, so it’s five years, and three-and-a-half/four of playing shows and trying out that material. So it went down smoothly in the studio, and then you have all the excitement of it being your first album. It was a good time in our lives." Drummer Sam Fogarino reflected on the album by saying: "we were very naïve, we didn’t know how to make a record together, and we were lucky to have a good snapshot taken of who we were at the time. And we got a little more confident with every record."

At the end of the decade, the album has been featured on numerous lists:

:

Track listing

* “Stella Was a Diver and She Was Always Down” is stylized in sentence case.

Bonus track on Australian edition
*"Specialist" – 6:39

Bonus tracks on Japanese edition
Two different versions exist. One version has the following bonus tracks:
*"Interlude" – 1:02
*"Specialist" – 6:39

The other version has the following bonus tracks:
*"Hands Away" ( Peel session)
*"Obstacle 2" (Peel session)
*"PDA" (video)
*"NYC" (video)
*"Obstacle 1" (video)

Bonus tracks on Mexican edition
*"Interlude" – 1:02
*"Specialist" – 6:39
*"PDA" (video)
*"NYC" (video)
*"Obstacle 1" (video)

Personnel

;Interpol
* Paul Banks – lead vocals, rhythm guitar
* Daniel Kessler – lead guitar, backing vocals
*Carlos D – bass, keyboards
* Samuel Fogarino – drums, percussion

;Audio Engineers
*All songs recorded by Peter Katis
*Tracks 1, 2, 4, 5, 7, 9, 10 mixed by Peter Katis
*Tracks 3, 6, 8, 11 mixed by Gareth Jones
*Recorded and mixed at Tarquin Studios
*Mastered by Greg Calbi at Sterling Sound

Charts

Certifications and sales

, -

See also

* Album era

References

External links

*

{{Authority control

2002 debut albums
Interpol (band) albums
Matador Records albums
Albums produced by Peter Katis
Albums produced by Gareth Jones (music producer)